Three Boxes are placed just behind the curve in row A, with angled but overall good views. The most expensive seats are towards the front and inside, with prices falling further back. There is also plenty of legroom throughout the Right Dress Circle. The back rows provide less detail, but sightlines remain impressively clear in the very back rows patrons may lean forward and block the view, however. The best seats are on the inside of rows A to C, which are well-elevated and not too distant seats further out have slightly partial views of stage left. Even-numbered seats generally number 2 to 16, although row A is longer, with seats 18 to 30 curving around for more restricted, side-on views. This section has 10 rows from A to L, with a horizontal aisle in place of row J. Three Boxes are just behind the far seats of row A, with slightly angled views. Prices start high in rows A to C and become a bit cheaper at the side and rear. Although the back rows feel much more distant, the wide auditorium means most sightlines remain impressively clear, and taller patrons will usually have no issue with comfort. Rows B and C also offer excellent views on the inside of the section. The best views are from the inside of row A, which becomes more restricted to the side thanks to the angle and safety bars in front A29 in particular is very side-on to the stage. Seats are odd-numbered, with the longer row A curving round from 1 to 29. This section comprises 10 rows from A to L, with a horizontal aisle in place of row J.
Once in the section, accessible seats are located in the back rows. The Dress Circle is accessible for patrons with limited mobility or using wheelchairs, thanks to an elevator traveling from the ground floor. This provides a good advantage for taller patrons, who will find it more comfortable than usual to sit in mid-row seats. Legroom remains impressive in this section of the Lyric Theatre, with plenty of space compared to many older Broadway venues. The best views are in the more expensive rows A and B of the Center Dress Circle some theatergoers may even prefer these seats to those in the Orchestra thanks to their elevated, sweeping views of the stage.
A good rake and pitch between seats enable clear sightlines even at the back, despite losing the detail patrons enjoy from the premium front rows. Views across the Dress Circle are impressively clear, although seats closer to the far aisles will inevitably have more restricted views into the sides of the stage. Boxes at either side sit a further 20 people.
Stepped aisles run between each, and there are up to 12 rows in the section. The Dress Circle is elevated above the Orchestra, with around 371 seats split across Left, Right and Center.
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